Another large coda, 135 measures long, is in the first movement of Beethoven’s Symphony No. 41 in C Major, K 551 (1788 Jupiter), in which five previously heard independent motives are combined in a complex fugal texture. A famous example of an extended coda is in the finale of Wolfgang Amadeus Mozart’s Symphony No. Often the coda will include subdominant harmony (based on the fourth degree of the scale) as a tonal counterbalance to the tonic– dominant relationship emphasized in the exposition (based on the first and fifth degrees of the scale, respectively). The coda may be quite brief, only a few measures, or it may be of sizable proportions relative to the rest of the movement. In the sonata-allegro form of the Classical symphony or sonata, the typical coda section immediately follows the recapitulation section and thus ends the movement. The origins of the coda go back at least as far as the later European Middle Ages, when special ornamental sections called caudae served to extend relatively simple polyphonic pieces. SpaceNext50 Britannica presents SpaceNext50, From the race to the Moon to space stewardship, we explore a wide range of subjects that feed our curiosity about space!Ĭoda, (Italian: “tail”) in musical composition, a concluding section (typically at the end of a sonata movement) that is based, as a general rule, on extensions or reelaborations of thematic material previously heard.Learn about the major environmental problems facing our planet and what can be done about them! Saving Earth Britannica Presents Earth’s To-Do List for the 21st Century.Britannica Beyond We’ve created a new place where questions are at the center of learning.
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